Zootown Fringe Festival opens with First Friday occupation of Brink Gallery
The Second Annual Zootown Fringe Festival unofficially opened on August 1 with a First Friday occupation of its Fringe Central headquarters at the Brink Gallery on Front Street in downtown Missoula.
SOURCE: Graphic Design News – Read entire story here.
Digital Revolution @ Barbican
Digital Revolution is the new blockbuster at Barbican – it is a story about digital creativity across the arts, showcasing technology-driven projects from a wide range of media. Rich on immersive experience, but somewhat lacking depth and critical core, it make us think of William Gibson’s famous quote “the future is here, it’s just not evenly distributed yet”. (all our photos are on Flickr)
The show starts with a range of early hardware, computer games and other digital paraphernalia and takes you slowly into more and more immersive experiences such as will.i.am‘s collaboration with sound artist Yuri Suzuki or a three-dimensional laser light field from the Umbrellium design group. It’s fun, interactive and eye-catching. But for an exhibition that promises to show you the best in digital creativity there’s an evident lack of a real artistic discourse. Instead, what we get is an evolution of technology and a demonstration of Moore’s law. During the hour we spent in the exhibition, we never felt stimulated to think about the impact of digital innovation on our lives and there were few works that challenged the meaning of digital, addressed the potential risks of it, or tried uncovering the commercial and political forces that drive some of these technologies.
We also missed a theoretical framework to put this digital revolution into perspective. We agree that shows can be fun and playful but staging an overview of digital transformation without referring to the authors of The Golden Age of SciFi or linking the work on display to more contemporary concepts such as William Gibson’s Cyberpunk or Chris Anderson’s Makers movement is a missed opportunity.
Final verdict: don’t expect to be deeply intellectually challenged, but if you don’t mind some waiting time, go and see it. It has iconic digital design projects, an impressive collection of technological artefacts and a coin-less Pac-Man arcade!
SOURCE: Happy Famous Artists » Blog – Read entire story here.
Photographer Opens Art Gallery in Cary – CaryCitizen
CaryCitizen |
Photographer Opens Art Gallery in Cary
CaryCitizen Cary, NC- Gordon Munroe Fine Art Gallery opens this Friday August 8 with a show by Cary artist Dan Campbell. But how did a transplanted English photographer come to open a fine art gallery in suburban Cary? Gordon Munro is a renowned commercial … |
SOURCE: art Photography – Google News – Read entire story here.
This Is The Most Controversial Show In Edinburgh
“South Africa’s fearless theatre-maker Brett Bailey has made a career out of tackling the most difficult aspects of race. His new show” – titled Exhibit B – “features black people in cages, in reference to real 19th-century human zoos – and even some of the performers are uneasy about it ”
SOURCE: ArtsJournal» THEATRE – Read entire story here.
French Kiss by Jeaze Oner
Artist: Jeaze Oner
Picture by: Terry
SOURCE: Graffiti & Street Art – Read entire story here.
Put Your Business Cards Away
by Mckenna Hallett
Why simply giving your business card to interested prospects is the worst thing you can do.
Okay, I know you clicked to see what the heck is this all about. You think I am going to trick you into some other issue altogether and I just used that title to get more hits, right? Nope. I am totally serious.
I have been teaching this principle for years and it is the most valuable single action that an artist can take to increase sales. I will repeat: MOST valuable single action you can take. Get ready to make more sales. It’s the one change that people who take my course on selling techniques are most likely to report as the “most valuable” in my follow-up surveys.
While I agree that every person who is even vaguely interested in what you create should be someone who can locate you and follow your career and visit your website, letting them take a card at any random moment is ineffective and costly for your long term needs. Unless you are a magician who can cast a secret spell that will make someone go to your website later, you need more control.
Think back: they seemed so close to buying and then they grabbed a card and said, “I will think about it and email you.”
They just took complete control. They now control what you can say or do from that point forward. As they walk away with your card, you have no access to them again and no “active” influence ever again.
When you maintain control, your card has the ability to allow you to continue to sell, clarify needs, get more information, and even close a sale. When used properly, it has the ability to get the Holy Grail of information: their email address.
Your business card can act as a bridge for that gap from “I need to think about it” to “Yes, I would love you to ship this next week.”
Here are a few suggestions to help you build this bridge with no card visible anywhere:
- They decide they want to “think about it” or ask the common questions – “Do you have a card?” or “Do you have a website?
- Now, because you are controlling the departure, you can “finish your thoughts” while assuring them you will go get “all the information” they need. (You will want to dig for that card! Keep it under your table and in a box.)
- Hand them a guest book or index card or something (I use a sign-up on my ipad that automatically enters people) and say, “while I get my card….”
- Let them know (sell them) that you won’t send very many emails – you are too busy for that, but you want to let them have sneak peeks, event notices, and other cool information in the future, so “please just put down your name and email address.”
- It is rare for someone who is truly interested and really enjoying you, your art, and has been bonding with you to have resistance to giving you an email address. If you sense any resistance, a big smile along with something like, “If you grow tired of seeing pictures of my art in your inbox you can unsubscribe in two clicks” will usually do the trick.
Slowing everything down and controlling the departure is critical. Now you have a great opportunity to re-visit the piece and take measurements, finish telling details that you think are still important or even ask for the sale one more time. You can at least ask if they have any final questions. You can just plain “finish” your side of the story.
They still get your information, but you have a way to remain in touch in the future. You have the ability to keep THAT sale alive or introduce them to future art that might just be an even greater sale in the future.
A quick email saying, “Thanks for spending time looking at my art today” with the actual picture of the art they were considering is powerful.
Try it. It works. Dare I say, it? It’s kind of magical!
Has this article been eye-opening for your art business? Mckenna Hallett and Artsy Shark founder Carolyn Edlund are writing an online course on Email Marketing Strategies for Artists.
We need your input to address your most burning challenges. Take our quick survey right here and get a coupon for $10 on the course when it launches!
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SOURCE: Artsy Shark – Read entire story here.
Peep the new online issue of Chemistry Magazine
Peep the new online issue of Chemistry Magazine
SOURCE: ALL CHROME – Read entire story here.
Should The Arena Di Verona Get A Roof?
“Northern Italy has been pounded this summer by rain and thunderstorms. About 25 opera performances have been soaked … Determined to bring an end to this unpredictability, mayor Flavio Tosi says that he’s planning to launch an international competition to draw suggestions for how the massive architectural task should be accomplished.”
SOURCE: ArtsJournal» MUSIC – Read entire story here.
Rebel architects: building a better world – The Guardian
The Guardian |
Rebel architects: building a better world
The Guardian Nigeria Floating Structure African Venice: in the waterside slum of Makoko, near Lagos, Nigeria, work begins on Kunlé Adeyemi's first floating building, a primary school. The design was conceived following discussions with the local community about … |
SOURCE: art Design – Google News – Read entire story here.
Audio Arts sound art magazine, aural archive of artists’ voices and sound art
Audio Arts: Volume 5 No 3 & 4 audio cassette Live to Air comprises a compilation of artists’ soundworks, includes contributions from: Bruce McLean, Harvey Mangolds
As I tidy and throw away redundant materials from the Slide Library here at Cardiff Metropolitan University prior to a move to another campus it really helps when I know that what is going into the bin is not therefore lost to history. the old audio arts cassette has been binned but every volume from that magazine of sounds and sound art is available still! On the Tate website here.
Explore and listen to this innovative audio cassette-magazine featuring exclusive contributions from more than 900 individual artists including Joseph Beuys, Ian Breakwell, Tracey Emin and Andy Warhol. Audio Arts was established by Bill Furlong in 1972 and includes soundworks, interviews and coverage of exhibitions. You will find all 24 volumes from Audio Arts published between 1973 and 2006
including the Audio Arts supplements which focus on particular themes and individuals, from the state of British art in the late 1970s to a feature on Damien Hirst in 2003.
Read more here
SOURCE: Jenny’s Art, Design and Architecture blog – Read entire story here.
11 Great Ideas to Cure Writer’s Block
Here is a guest post from Alyson Stanfield.
Discover easy ways to create content your prospects want to know from my friend, and every artist’s friend, Alyson Stanfield, the Art Biz Coach. Check out her powerhouse Art Biz Makeover workshop in November by CLICKING HERE. I will be back next week with new art marketing ideas, and more. — Barney
Learn to get over your writer’s block with these practical content creation ideas.
When you try to sell your art in the virtual space, you are no longer just an artist. You are also a content creator.
This realization is daunting to many artists, which you’ll discover by paying attention. Newsletters are started with a bang and gradually disappear, blogs are neglected or even abandoned altogether, and social media is just…well, just a conundrum.
What do you share when the online world is already full of noise?
Here’s what you do: Remember that people are expecting to hear from you. They friended you, liked you, signed up for your newsletter or blog, or followed you because they want to hear your point of view. Live up to those expectations.
Still, I know that there are times when it’s difficult to come up with subject matter.
When the well has run dry and you have no idea what to write about, return to this list for some quick prompts.
Contextualizing Your Art
Your goal is always to keep the focus on your work when creating content, so don’t stray too far.
1. Discuss your art technique or medium.
Not all art techniques and media are interesting, so how could you make yours more interesting? Unless your audience is filled with experts, you should write as if no one has ever heard of what you do.
2. Expand on your subjects.
If your subject is the landscape, write about the history of the place, the people who have lived there, the native wildlife, or any related controversies.
Feature anything related to your niche market. I often ask my clients and students to mind map their niche market, which increases their content potential exponentially.
If you make garden sculpture, write about fictional gardens and historical gardens. Give garden tips and share other items that might be found in a garden alongside your sculpture.
3. Review an art exhibition.
Visit a new exhibition of art and write about what it has in common with your own. It’s a valuable exercise to place your art in the context of other art, and it’s a service to art viewers.
While you’re at it…write a rebuttal to an art review in the newspaper or on a blog.
Voicing strong or contrary opinions can be scary, but they are what people remember. We don’t usually stick around for limp blogs or wimpy articles.
4. Explore the history of a color, art medium, subject matter, or technique.
This will help you stand out because very few artists take the time to research these aspects of their art. It can only benefit you to know the tradition of what you do.
Margret Short does this very well on her blog, which has had an emphasis on exploring pigments. See this post about iron oxide.
5. Tout a recent award or honor you received.
If you don’t tout your accomplishments, who will? But don’t just say, “I won this award!” Talk about why the recognition is important. What does it mean to you? If you can’t do this, it’s probably not worth mentioning.
I love how Lisa Call did this.
Don’t forget to announce new gallery representation. Again, don’t just announce it. Say why this gallery is a good fit for you, why you respect it, and mention the achievements of the other artists in the stable.
Throw in recent purchases and commissions for more social proof.
Connecting with Community
6. Confront themes around art education.
Write about your favorite art teacher and why he or she meant so much to your creative development. What did you learn from her? Conversely, you might write about where your education was lacking and how art teachers could improve the curriculum.
If you dare get into politics, and I think you should, argue on behalf of more art in the school curriculum.
7. Reveal why you donated artwork to a charity auction or nonprofit.
It’s presumed that you support any nonprofit that you donate your art to. Why? What are they doing that you believe in? How can your readers help support the cause?
Include your donated piece and how it can be purchased.
8. Take a stand on public funding of the arts.
If your state or city has debated a public arts program, it’s likely that there was some controversy in the beginning. Present the facts and take a stand. Research public arts programs in other communities and any controversy around them or any positive impact they’ve had on their communities.
Alternatively, explore the public art in your area and write about what does and doesn’t work for you. Don’t cheat! You can’t write art reviews from digital images online. You must visit the work in person.
9. Interview a local curator or collector.
A great way to meet people is to reach out to the people in your art community for a feature on your blog or in your newsletter. Read how E. Brady Robinson started photographing desks of arts leaders in Washington, D.C.
Repurposing Social Media Updates
10. Compile the top resources or quotes you tweeted or found on Twitter.
The downside to tweeting and retweeting is that those updates usually disappear into the ethers immediately after you’ve shared them. Curate a list of your best tweets to share with your fans.
11. Recount funny or insightful comments from your Facebook business page.
The chances are good that you’re the only person who reads all of the comments on your business page, and that there are probably some gems there that you could turn into a post or article.
There are so many more topics that could be fodder for your writing and social media updates. I suggest brainstorming a list, starting with these 11 ideas, and continually updating it. With this consistent habit, you’ll find that you have more to share than you have time for.
Alyson B. Stanfield is an art business coach and the author of I’d Rather Be in the Studio: The Artist’s Guide to Self-Promotion. She is hosting Art Biz Makeover, a 2.5-day live event in Colorado November 5-7, where you can network and pick up other tips for expanding your photography business. See https://artbizmakeover.com for details
The post 11 Great Ideas to Cure Writer’s Block appeared first on Art Print Issues. Alyson Stanfield is the publisher and author of this post with the exception of very infrequent, and always properly attributed contributing authors.
SOURCE: Art Print Issues – Read entire story here.
Amsterdams Marionetten Theater to Stage the Magic Flute from Sept 13
The Magic Flute is an exotic adventure; a classical story about the struggle between good and evil.
SOURCE: Theater News – Read entire story here.
Dorothy Goldeen Appointed President of Stone Art
Dorothy Goldeen has been appointed president of Stone Art, the exclusive administrator of the collection of legendary dealer Allan Stone and overseer of Chelsea-based gallery Allan Stone Projects. Stone “left a remarkable legacy,” commented Goldeen. “I am honored to have the opportunity to illuminate his unique vision and disseminate the works he so passionately collected.”
Stone, who died in 2006, was a recognized expert on the work of Abstract Expressionists including Willem de Kooning, Arshile Gorky, Barnett Newman and Franz Kline. He was among Wayne Thiebaud’s earliest supporters and was his primary New York dealer for more than four decades.
In her new role, Goldeen, with the help of her team, will be conducting private and auction sales, advising collectors and participating in international art fairs. In addition, her team will be curating scholarly exhibitions drawn from the collection as well as providing educational access to the works. Goldeen established her eponymous art advisory firm in 1996 after 23 years as a gallerist in San Francisco and Los Angeles. She has built numerous private collections and mounted more than 200 exhibitions of contemporary art. She serves on the national board of ArtTable and presided as chair of its Southern California chapter from 2012–2014 and previously, from 1992–1994.
Watch a trailer for the 2007 documentary The Collector: Allan Stone’s Life in Art:
The post Dorothy Goldeen Appointed President of Stone Art appeared first on artnet News.
SOURCE: artnet News – Read entire story here.