News
What To Include In An Exhibition Proposal

When you ask to show your art at a venue, you need to be very clear about what you are offering. People don’t often say Yes to vague offers.

Think about what ties the work together. This is your curatorial thesis – your big idea. Writing it out, as you’ll see below, helps you find the clarity you need.

Art Exhibit SignBefore sitting down to write your exhibition proposal, ask the venue if they have a particular exhibition proposal format they prefer. If they do, follow their instructions. If they don’t have specific guidelines, you’ll have to compile an exhibition proposal for yourself.

The details of your proposal will vary depending on whether you’re proposing a show at a coffee shop, a pop-up space, or a nonprofit gallery. You will have to judge what is appropriate for your situation.

Here are major components you’ll include.

Cover Letter

Personalize your cover letter with the correct name and spelling of the manager, exhibitions director, or curator. It’s much nicer to show you have done your homework than to start off with a generic To Whom It May Concern salutation.

I like to begin cover letters with an acknowledgement that I know something about the recipient. You could compliment them on a recent exhibition or say that you’ve been reading about them. You should also mention anyone you know who is associated with the venue – a patron, board member, or artist.

Thank the recipient for considering your proposal.

Document

The meat of your proposal is a document that outlines the particulars of the exhibition.

  1. Explain why your art is a good fit with the venue’s exhibition program.
  2. Describe the exhibition contents and curatorial thesis in 3-4 sentences.
  3. List the artists, if others are to be included. Insert your résumé or bio, as well as those from any other artists.
  4. Provide a complete inventory of works to be shown. Include titles, media, and prices.
  5. Estimate the space required in square or linear feet and any expenses that might be incurred by the venue.

Images

Finally, include images of your art in the proposal.

For a small show, include all of the works you plan on showing. For a larger show, you can use a sample of 10-20 images as long as the images are representative of the entire exhibition.

I hope you see how the process of writing an exhibition proposal can be a valuable start to a successful exhibition. And it’s just a first step. Once accepted, you will need a written agreement that outlines the terms between you and the venue and a plan for executing all that you have promised.

 makeover-header-550

SOURCE: Artist Business-Building Strategies – Read entire story here.

Rinaldo at Glyndebourne review entertaining but ultimately trivial

Glyndebourne, Lewes
Four strong countertenors are on display in this school-based setting of Handel’s opera, but the consistent playing for laughs feels both relentless and evasive Continue reading…




SOURCE: Music | The Guardian – Read entire story here.

Classical basilica in rural Kent

Sacred Mysteries: Christopher Howse is impressed by the energy of Georgian country church-builders




SOURCE: Architecture: buildings, building design, spacial design – Read entire story here.

LEED Therapy
Blogger: Jeff Patry, Mechanical Engineer | Omaha, NE, USA

We’ve all met LEED skeptics. They usually start by complaining about the relative significance of bike racks versus industrial wastewater treatment systems. Then they’ll rail against waterless urinals for a while and typically crescendo into a diatribe about how Indoor Environmental Quality credits directly contradict Energy and Atmosphere credits. I mean increased ventilation—seriously? What a waste.

read more


SOURCE: BLiNK – Perspectives on Design – Read entire story here.

The Girl at #53

NSFW - click to view image
© 2012 Guest Contributor. All Rights Reserved (see policies). Contact for Use.

Guest contribution by Giancarlo Bianchi

Fine-art photo model Simone at #53 Shades, Umhlanga, South Africa.


More Info


This photo was posted by Guest Contributor on Friday, June 15th, 2012 at 8:00 am and is filed under NSFW


SOURCE: Fine Art Photoblog – Read entire story here.

Ed Atkins, Serpentine Sackler Gallery, review: ‘deeply impressive’

The self-destructive computer-generated avatar at the centre of Ed Atkins’s show is hard to like but impossible to forget, says Richard Dorment




SOURCE: Art reviews – Visual arts reviews, previews, pictures and gallery info – Read entire story here.

Tampa Bay’s premier community day school, Hillel Academy, to…

Through these programs, partners, such as In conjunction with the support of Hillel Academy’s existing Isaac B. Solomon Cultural Music Initiative, expert music educators from The lower grades will be part of the general music class focusing on developing musical skills through singing and instrumental performance activities to ensure readiness for … (more)

SOURCE: Musical Theater News – Read entire story here.

Elka Bar Stool by Oscar Pipson




SOURCE: MoCoLoco – Read entire story here.

John Seed: Tracey Adams: ‘Everything in My Life Is Interconnected’

Artist Tracey Adams draws her ideas and inspirations from a wide variety of fields including music, mathematics and science. In her varied works, all of these disciplines come together in visual form, in a process that Adams characterizes as involving a “synthesis of intention and chance.”

Read more: San Francisco, Painting, Tracey Adams, Monterey, Arts News

SOURCE: Painting on Huffington Post – Read entire story here.

Round Walls and Curveballs—A Win for the Guggenheim’s Softball Team

Photo: Caitlin Dover © 2014 Solomon R. Guggenheim Foundation, New York“Solomon’s Sluggers” have been enjoying a legendary season. Here, we share true tales of the Guggenheim’s softball team—its legacy, its recent wins, and what it’s like playing against the Whitney.


SOURCE: Guggenheim Blogs – Read entire story here.

The Makeout Project turns kissing into an artform

Jedediah Johnson’s photographic series involves him putting on lipstick then kissing people, before documenting the smears in portraits. But, he insists, he’s not just doing it for cheap thrills

From the naked women that Yves Klein covered in blue paint to Terry Richardson’s bevy of porny subjects, the art world is full of work that for one person seems liberated and for another exploitative. Continuing to skirt that line is Jedediah Johnson, an American photographer whose ongoing series the Makeout Project involves him putting on lipstick then kissing people, before documenting the resulting smears in portraits.

Johnson’s shots are really striking, with his LaChapellian palette of bright colours making the lipstick jump out from its surprisingly circuitous path across each person’s face. The subjects look variously flirtatious, amused and ashamed; some have strange narratives, like the woman who is holding a baby just out of shot, her partner hovering off to one side.

Continue reading…
SOURCE: Photography | The Guardian – Read entire story here.

Preview Kamea Hadar and Defer “Paradise Lost”

If you are in San Francisco tonight you are going to want to see this exhibition “Paradise Lost”. Kamea Hadar and Defer team up once again to collaborate not only on a mural but a complete new body of work to exhibit together at San Francisco’s 1AM gallery. Here is a preview of some of the work that will be exhibited as well as the press release below.

GF

Paradise Lost
An exhibition featuring mixed media works on canvas
Opening Reception: Thursday, August 7th, 2014, 6:30 – 9:30pm
Show Dates: August 7th through August 29th
1AM
1000 Howard Street
San Francisco, CA 94103
www.1AMGallery.com
Contact: adriana@1AMSF.com
For more information, visit www.1AMGallery.com. If you would like to request media related material, please email adriana@1AMSF.com.

Second installment of Defer and Kamea Hadar collaborative collection:
“Paradise Lost”

During POW! WOW! Hawaii 2014, artists Kamea Hadar and Defer (K2S) collaborated on a mural that marked the start of a year-long series of collaborative walls, gallery shows and other creative projects between the two artists entitled “Paradise Lost”. The second installment of the series are two large-scale murals in San Francisco and a viewing of canvas pieces at First Amendment Gallery, San Francisco. The show at First Amendment Gallery opens Thursday August 7th, 2014.

Kamea Hadar said this about the series: “Paradise Lost deals with both Defer and my perspectives of Hawaii. With Defer recently moving to Hawaii from his hometown of Los Angeles and my being from Hawaii we both bring two different perspectives of what paradise can be. Much of my recent work deals with fire and the title also alludes to Milton’s epic poem about The Fall of Man, The Temptation of Adam and Eve by the fallen angel Satan, their expulsion from the Garden of Eden and of course Hell. On the surface the title speaks of Hawaii losing its natural beauty and traditional ways, what many people consider “paradise”. It is also important to stress that in my eyes fire also represents change and that Hawaii’s move into the modern world and urbanization is necessarily all bad. With the benefits of modern technology, and ease of travel Hawaii is quickly transforming from an “island” into a cultural hub. Honolulu as a city is quickly becoming as relevant to contemporary culture as any other big city in the world, but this takes some compromises. The balance between moving forward and still keeping traditions/cultures and preserving paradise are what makes Hawaii an interesting place and what inspired Defer and I to collaborate and create Paradise Lost. 

Kamea and Defer both currently live and work in Hawaii. Kamea is the youngest board member of the Hawaii Arts Alliance, is Co-Lead Director of POW! WOW! and designer/artistic director of Utopium, home of POW! WOW! Hawaii. Defer moved to Hawaii from his hometown of Los Angeles where he was a pioneer member of the first generation of LA graffiti crews K2s, STN, and KGB. He has had a marked influence on the LA graffiti movement since the mid-1980s. His more recent typographic work incorporates Japanese images mixed with his unique hand-style.

Look out for more murals/gallery shows/artistic projects in the Paradise Lost series in San Francisco, Los Angeles, Israel, and Hawaii.

SOURCE: GraffuturismGraffuturism | Graffuturism – Read entire story here.

Kindly Allow These Fabergé Fractals To Melt Your Brains Into Goo

The images below are dazzling, to say the least. But be warned, once you gaze upon their intricately textured exteriors, landing somewhere between a R…

Read more: Tom Beddard Art, Art Meets Science, Fractal Art, Math Meets Science, Fractals, Faberge Fractals, Tom Beddard, Digital Art, Arts News

SOURCE: Art Meets Science on Huffington Post – Read entire story here.